Friday 31 August 2012

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AS BILL SEES IT, by Bill

  • Sales Rank: #4481492 in Books
  • Published on: 1987
  • Number of items: 2
  • Binding: Hardcover
  • 332 pages

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Tuesday 28 August 2012

[Y144.Ebook] Free Ebook Roller Coaster, by Marla Frazee

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Roller Coaster, by Marla Frazee

Clickity, clackity.
Clickity, clackity.

The roller coaster car is going up, up, up to the highest spot. And at least one of the people in the car has never ridden on a roller coaster before . . . ever. Wheeeeeeee!
Get ready to experience the thrill of riding a coaster for the very first time in this vibrant new adventure from acclaimed picture book creator Marla Frazee.

  • Sales Rank: #3725 in Books
  • Brand: Sandpiper
  • Published on: 2006-06-01
  • Released on: 2006-06-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x .10" w x 10.00" l, .36 pounds
  • Binding: Paperback
  • 32 pages
Features
  • Voyager Paperbacks

Amazon.com Review
All sorts of people ride roller coasters, people over a certain height that is. Marla Frazee zooms in on one pony-tailed girl who has never experienced a roller coaster before, ever, in this start-to-finish ride. The anticipation builds much like it does in real-life: "S-l-o-w-l-y the train is pulled up the hill by a chain. Clickity, clackity. Clickity, clackity. Up. Up. Up. And then..." As the train zips and zooms and dips and dives, the pony-tailed girl in the very front seat loves every minute, or almost. In the end, "Most of these people are dizzy./ Some of them have wobbly knees./ But at least one of them is planning/ to ride the roller coaster again." Frazee's crisply detailed watercolor drawings of waiting people, happy people, terrified people, and dizzy people are fun to peruse. Youngsters who are Disneyland-bound (or who would just like to be) may be the best audience for this minute-by-minute replay of a roller-coaster ride. (Ages 4 to 7) --Karin Snelson

From School Library Journal
PreSchool-Grade 1-Get ready to dip, dive, whoosh, and zoom away on this delightful ride. Frazee handily captures the anticipation and excitement, as well as the fear people experience on these amusement-park attractions. The young protagonist is just tall enough to ride the colossal roller coaster, and it's his very first time. The faces of the diverse crowd waiting in line are quite expressive, and the exaggerated lines of the illustrations add to the lightheartedness of the story without sacrificing the realism. Frazee's humorous touch is perfectly suited to the simple story line, and when the ride gets going, the artist uses plenty of white space to set off the bold and exciting entertainment. The action is swift and palpable, with the text winding, dipping, and even turning upside down to follow the roller coaster's thrilling path.
Shelley B. Sutherland, Niles Public Library District, IL
Copyright 2003 Reed Business Information, Inc.

From Booklist
*Starred Review* PreS-Gr. 2. A sinuous line of people stretches across two double-page spreads. Everyone, child and adult alike, is waiting to ride the roller coaster. Finally it's time to get into the cars; 12 lucky folks take their seats (a few people have already fallen out of line). Then, seatbelts fastened, off they go, with the picture-book audience brought up close to enjoy the ride. Around and around and up and down, the cars zip and fly across a series of double-page spreads. Frazee does an extraordinary job of conveying motion by the placement of her images, her use of white space, bright colors, and swooshing speed lines. The color of the type changes to red when the ride begins, returning to black when it ends, and the graphite and watercolor art is so dynamic that it practically turns the pages by itself. What will keep children coming back for extra looks, however, is Franzee's clever, dramatic depiction of the 12 riders and their wildly and amusingly different reactions to the stomach-churning experience--before, during, and after. No words are necessary to convey that part of the story; body language says it all. A rambunctious tour de force from an abundantly gifted author-artist. Michael Cart
Copyright © American Library Association. All rights reserved

Most helpful customer reviews

0 of 0 people found the following review helpful.
Awesome storytelling
By Sarah
We LOVE this book! My first grader recently had his first real roller coaster experiences: first one that wasn't too scary or fast, but he LOVED, and second, a huge wooden coaster that was too fast and too bumpy for him. We ordered this book based off of some of the "you may like this also" recommendations Amazon makes, after reading several of the reviews.

This is a perfect book for this age group. Just as a story, it's very fun, engaging, and imaginative. The illustrations are fantastic and I love the amount of detail that is put in to help convey the individual emotions and actions the story describes. From a learning/teaching standpoint, we also ordered a copy of this book for my son's classroom. The story takes a relatively simple concept and brings it to life, without being totally overwhelming. This is a great learning tool- the story is short and sweet (I was worried it would be very wordy because people said it's so descriptive and helps kids learn to expand their ideas into a full story), but the vocabulary brings it to life. Also, the text sprawling across, around, and all over the pages really helps bring these words to life! My 3-year old really enjoys it, as well as a couple of my son's older friends who read it with us.

I'm so glad we bought this for ourselves and for my son's teacher!

2 of 2 people found the following review helpful.
Great for teaching writing about small moments!
By Lisa from So Cal
I am a first grade teacher and this story is excellent for teaching kids to zoom in on a small moment in life to write about instead of something larger and overwhelming. Great illustrations! Simple story but had my kids very excited!

0 of 0 people found the following review helpful.
Wonderful Children's Book ...
By Suzie Bee
This is a well written and beautifully illustrated children's book. I bought it to read to my grandchildren, and now they are reading it to me! We absolutely love looking at the pictures, over and over. We talk about each person standing in line and then we decide who of our family is who in the book. The kids fall asleep each time with smiles on their faces. I will do everything in my power to keep this book safe, so that someday ... my darlings can read this book to their grandchildren as well. We just love this book ♥

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Friday 17 August 2012

[L456.Ebook] Download FDR and the Creation of the U.N., by Townsend Hoopes, Douglas Brinkley

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FDR and the Creation of the U.N., by Townsend Hoopes, Douglas Brinkley

In recent years the United Nations has become more active in-and more generally respected for-its peacekeeping efforts than at any other period in its fifty-year history. During the same period, the United States has been engaged in a debate about the place of the U.N. in the conduct of its foreign policy. This book, the first account of the American role in creating the United Nations, tells an engrossing story and also provides a useful historical perspective on the controversy. Prize-winning historians Townsend Hoopes and Douglas Brinkley explain how the idea of the United Nations was conceived, debated, and revised, first within the U.S. government and then by negotiation with its major allies in World War II. The experience of the war generated increasing support for the new organization throughout American society, and the U.N. Charter was finally endorsed by the community of nations in 1945. The story largely belongs to President Franklin Roosevelt, who was determined to form an organization that would break the vicious cycle of ever more destructive wars (in contrast to the failed League of Nations), and who therefore assigned collective responsibility for keeping the peace to the five leading U.N. powers-the major wartime Allies. Hoopes and Brinkley focus on Roosevelt but also present vivid portraits of others who played significant roles in bringing the U.N. into being: these include Cordell Hull, Sumner Welles, Dean Acheson, Harry Hopkins, Wendell Willkie, Edward Stettinius, Arthur Vandenberg, Thomas Dewey, William Fulbright, and Walter Lippmann. In an epilogue, the authors discuss the checkered history of the United Nations and consider its future prospects.

  • Sales Rank: #2646217 in Books
  • Published on: 2000-07-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .67" w x 5.98" l, .95 pounds
  • Binding: Paperback
  • 300 pages

Amazon.com Review
At a time when it is fashionable to declare the United Nations as part of the problem, rather than the solution, to international conflicts, two noted historians lucidly explain how the original objective of the body has been lost among indecision, ideological quarreling, and a lack of clear leadership. In FDR and the Creation of the U.N., Townsend Hoopes and Douglas Brinkley examine the inception of the U.N. and chart its rocky history, identifying FDR as the primary player in the creation of the assembly.

In citing the U.N.'s biggest problems, the authors do not call for disbanding the body. Instead, in keeping with FDR's original vision, they offer solutions for improvements and insights. The challenges are formidable, however, as even daily operations are stalled due to the debt of $3.3 billion owed by U.N. members. The authors pay particular attention to the United States' responsibility for international peacekeeping. To make the U.N. effective, they argue, the U.S. must not only pay its share of the debt, but accept the fact that it has the military and political power to create results--if only it chooses to do so.

From Library Journal
Hoopes and Brinkley (Dean Acheson: The Cold War Years, LJ 11/1/92) offer a short history of the formation of the United Nations. They trace decades of interplay between idealism and realpolitik, from the League of Nations, through World War II and postwar diplomacy and planning, to the U.N.'s birth in 1945 in San Francisco. In a preface, the coauthors state their hope that "more reasoned, more consistent" U.S. support of the U.N. will result from an understanding of the decisive role played by Franklin Roosevelt and other Americans in its creation; yet they express doubt, in an epilog, that the organization will achieve the reforms needed to win that support. In between, the authors deliver a fine narrative based largely on familiar secondary sources, such as Ruth B. Russell's History of the United Nations Charter (Brookings, 1958) and Robert A. Divine's Second Chance (LJ 4/1/67). Most useful to libraries serving undergraduates.?Robert F. Nardini, North Chichester, N.H.
Copyright 1997 Reed Business Information, Inc.

From Booklist
With the Internet buzzing about black helicopters and Letterman whining about losing Boutros Boutros-Ghali as monologue material (quick quiz: What's the name of the new U.N. secretary general?), this graceful analysis of the international organization's American roots is timely. Hoopes and Brinkley (affiliated with the Universities of Maryland and New Orleans), who collaborated on a recent biography of James Forrestal, Driven Patriot (1992), offer a study that opens with Wilson's League of Nations battle (and FDR's sidelines view of that defeat), then traces the growing conviction of the Allied leaders before and during World War II that some collective security organization was needed to prevent recurring global wars. Though their focus is the '30s and '40s, when plans for a new international agency gestated, the lack of historical perspective in current U.S. criticism of the U.N. prompts an epilogue surveying its five-decade record and stressing that, absent the U.N., however flawed, the U.S. itself would have to act as civilization's police force. Mary Carroll

Most helpful customer reviews

0 of 0 people found the following review helpful.
Roosevelt's view of the United Nations in 2014?
By laurens van den muyzenberg
That is what I was wondering when reading the excellent book about the creation of the UN. When you read the book you may wonder too. The UN has not delivered what he hoped for that is permanent peace. There has not been a third world war and may be the UN has made a contribution. There have however several wars between small countries and civil wars. The UN has shown itself to be a more useful organization than the League of Nations it replaced.

Roosevelt realized that the allocation of responsibility to prevent and halt wars could only be assigned to great powers and that if these great powers would not join the UN unless, the "Policemen" had a right of veto on the use of force. Roosevelt would be disappointed that these veto powers were used so frequently. Roosevelt would have expected at there would be one United Europe representative with real power instead stead of two representing only a small part of Europe. He would also have welcomed India and Japan to join the Security Council. He would still be convinced that his idea of a few large powers with the responsibility to maintain peace was the right principle. He would have concluded that new methods have to found to reduce tensions inside and between states and solve poverty problems.

This book describes in an excellent and complete way the difficulties to arrive at the organization and its rules and authority. The authors also describe the organizational weaknesses of the UN organization such as the lack of competences of many of the staff and the immense difficulties to reorganizing the UN to become more efficient and effective.

The authors conclude:

"The challenge to the American political system is to recognize both the fundamental importance of the United Nations organization and it's limitations. The United States should take a leading role in an effort to strengthen a UN peacekeeping system that is deliberately designed to reduce the need for US-led military effort. Our civilization needs a police force. The best available combination solution is still the United Nations strongly supported by the United States-the formula that Franklin Roosevelt fought with all his strength to achieve more than half a century ago."

2 of 2 people found the following review helpful.
Excellent Book on the Purpose of the U.N. and Today's Issues
By Todd Carlsen
60 million people died in World War II. 18 million died in World War I. The financial costs were huge. Franklin Roosevelt was determined to prevent a third world war, and to foster stability and prosperity in the world. His plan worked, though the U.N. has not unfolded as he envisioned.
This insightful book examines the creation of the U.N. and today's issues. Below is an abbreviated review by H-Net I found on the Internet:
----
Begin quote
Reviewed by Matthew S. Magda, Sacred Heart University.
Published by H-USA (December, 1997)
FDR and the Creation of the U.N.
The United Nations has received renewed attention since the end of the Cold War. In the early 1990s, especially following the success of the U.N.-authorized coalition against Iraq's military seizure of Kuwait, hopes rose among internationalists that the United Nations would now play its proper role as primary deterrent of international aggression. No longer fettered by the rivalry between the most powerful members of its Security Council, the United Nations could begin functioning as the guarantor of international peace and prosperity...
Currently, Americans are involved in both rational and emotionally-charged discussions about the future role of the United Nations and its potential impact on U.S. foreign policy... There are those who argue that a strong United Nations is essential because it will serve the long-term interests of the United States to have an institution with legitimate international credentials to turn to for help in settling conflicts and subduing threats to global stability. This latter view is shared by the authors of FDR and the Creation of the U.N.
In the Preface of their book, Townsend Hoopes and Douglas Brinkley tell readers that they hope to add needed historical perspective to the current debate on the future role of the United Nations. They believe that by doing so, they will remind Americans and others of the vital role played by Franklin D. Roosevelt and the United States in the creation of the United Nations. Finally, they seek to elevate understanding and discussion so that Americans would come to a more reasoned and consistent support for an institution which "embodies the highest hopes of mankind"
Hoopes and Brinkley explain how the failure of the League of Nations shaped the ideas of FDR and American policymakers... The absence of a strong League enabled aggressor states to pursue expansionist policies which eventually led to World War II. Therefore, FDR was determined that the mistakes of the past would be avoided. He wanted the United States to be a leader in the formation of a postwar international security organization.
... Hoopes and Brinkley believe that international peace depends on the formula first developed by FDR: a United Nations organization firmly backed by the United States. Such a formula worked well to deter aggression in Korea in the early 1950s and in the Persian Gulf in the 1990s.
FDR and the Creation of the U.N. is well written and its central idea persuasively argued. Readers will especially appreciate its tight organization with ample headings to identify topics or issues...
End Quote

10 of 11 people found the following review helpful.
Detailed book for anyone seriously interested
By A Customer
While this book would be leisure reading to only the most dedicated UN or FDR follower, it is one of the best books I could find for a report on the subject. The book is quite thorough and the different aspects the authors discussed gave me a greater understanding of the process. Many of the decisions made prior to the creation of the UN were delicate with the opposing desires of Roosevelt, Churchill, and Stalin. This book explains how Roosevelt contributed along with other factors that affected his moves including early influences from Wilson's League of Nations. Although this book would not be for everybody, it is a must read for those with a genuine intrest--or a school report--on this subject.

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Friday 10 August 2012

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  • Sales Rank: #1887440 in Books
  • Published on: 2003-08-01
  • Binding: Hardcover

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0 of 0 people found the following review helpful.
Five Stars
By Shantia
Great book. Good foundation for Philosophy.

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Thursday 9 August 2012

[N708.Ebook] Free PDF S&H Green Stamps Ideabook 1966

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S&H Green Stamps Ideabook 1966

  • Sales Rank: #9205683 in Books
  • Published on: 1966
  • Binding: Paperback
  • 178 pages

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Wednesday 8 August 2012

[G594.Ebook] Fee Download Arpeggios, Rhythms, and Scales, by Mike Laird

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As a technique builder for jazz improvisation on the violin, this book is comprehensive. It provides: the arpeggios for 7th chords with useful fingerings, jazz scales, and rhythm exercises to develop technique. Improvisation is often taught with various scales. In addition, this book teaches the 7th arpeggios of jazz chords in several positions to help navigate the fingerboard and get to chord tones. A short jazz theory section describes the reasons that the 7th arpeggio is essential to improvisation. You can use these notes in many sequences and rhythms to improvise jazz music. The exercises are appropriate for beginners with good shifting skills. Three octaves are provided, but beginners can start with one or two octaves. Since students of jazz violin often do not have a teacher for specific jazz improvisation technique, this book provides useful, wide-ranging suggestions to help a developing jazz violin improviser produce the sounds expected in jazz and improve their musical techniques.

  • Sales Rank: #338785 in Books
  • Brand: Brand: Lulu.com
  • Published on: 2010-02-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.27" h x .48" w x 11.02" l, 1.14 pounds
  • Binding: Paperback
  • 226 pages
Features
  • Used Book in Good Condition

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1 of 1 people found the following review helpful.
Useful scale book for jazz violin
By Frito-Lay
I think this book is a useful contribution to the jazz violin literature, and I recommend it. I personally would have preferred a comb binding so that it would lie flat on my music stand. I would prefer wider margins too. I also think the use of the "jazz font" is not really the best idea, as the fingerings can be hard to read in places. The first few keys have "bebop blues" studies that are very cool because they show you how the scale and arpeggio forms can be strung together into a line. They're all in the same genre and only for a few keys, but they give you an idea how to use what you're learning. There should have been much more of that kind of thing. Another reviewer complained that it's just a scale fingering book, and that's a fair criticism, especially for a book that bills itself as "fundamental techniques for jazz improvisation" because there really isn't much of that. One could say that once you have the scales and arpeggios in your fingers, there's not really anything special about the violin in terms of improv, it's just another horn, so any kind of "jazz technique" stuff would be redundant of what is already out there. But I think Laird should have maybe backed off on the heavy load of scales and instead showed more about how to use them by showing some patterns, turnarounds, and other riffs. Violinists have been trained that studies are good for you, so we'll eat that stuff up. The scales are all in three-octave format, even though I really doubt anyone is going to go that high in keys like F major which will take you near the end of the fingerboard on the E string. I think instead of printing in multiple sets of fingerings for most of the scales, it would have been better for Laird to take a few pages and explain HOW one works out fingerings on the violin, although my guess is that anyone who is ready for this book will already know this. Another pet peeve is church modes like Lydian and Myxolydian, and what he calls "dorian minor" and "dominant bebop" etc. Personally, if I see a CMaj7#11 chord, I know that I'll be fine in the C major scale with F# instead of F, and if I see a C-7 chord, I know I have to flat the 3rd and 7th. But I'm pretty steeped in piano theory so maybe that comes more naturally to me that way.

1 of 1 people found the following review helpful.
Valuable Method Book
By Rebeca Boyd
I have taught students at varying levels with this book. Just as Flesch's Scale Studies is a useful tool for classical technique, this book is a valuable practice tool for a jazz violinist's fundamental skills. Chords, fingerings, rhythm exercises and improvisation exercises are combined together, and you won't find that in any other practice book. If you want to improvise on the violin, you need the skills that are developed by working consistently with this book.

4 of 7 people found the following review helpful.
Speechless
By Thomas Harper
There are good, mediocre, and useless music instruction books. This one belongs in the latter category. It includes basically only an agglomeration of scales, which could be pulled out from any scale generator on the web, and there is no relevant narrative / study guidance, etc. The provided fingerings are almost useless, as they are extremely diffult to read (until you have read it, you could almost figure it out by your self). The introduction includes some basic music and jazz theory, which is only accessible to people who have already an excellent grasp of Jazz harmonics. So in the end, it might be partially useful for the very few advanced Jazz violin teachers in the country, but they probably don't need such a book. I have purchased hundreds of books from Amazon, and this is the first one, which I return. I feel sorry for the author, who probably spent a lot of time to put this treatise together.

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Sunday 5 August 2012

[C781.Ebook] Download The Gestalt Art Experience: Patterns That Connect, by Janie Rhyne

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Book by Janie Rhyne

  • Sales Rank: #2162579 in Books
  • Brand: Brand: Magnolia Street Pub
  • Published on: 1996-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x 7.25" w x .50" l,
  • Binding: Paperback
Features
  • Used Book in Good Condition

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2 of 2 people found the following review helpful.
art therapy in use
By Donna K. Trainor
this is an excellent illustration of the use and power of art therapy in a gestalt model. although the ideas shared are with groups one can adapt them to individuals with a little creativity. i have used some such ideas with my clients with success. the clts enjoyed the change of pace and expressed material they might otherwise not have. i am not an art therapist but found it a good addition to my gestalt therapy library.

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